When my daughter first showed signs of hating herself, I got out photoshop. We went and found an image of her choosing, of a woman. I spent the next two hours showing her just how easy it was to alter this woman. I changed her hair, whitened her teeth, made her thinner. I erased her blemishes and even made her taller while my daughter sat there aghast. At the end of it she loudly said - ” THAT’S NOT FAIR!”
I told her that damn near every image she saw of people in magazines, on television, etc, was altered like this, and that she should never compare herself to that, because even supermodels don’t look like supermodels.
I wish I could do that for every child. I wish it was a mandatory class in school.
I AM SHOWING THIS TO EVERYONE
I SAW THIS IN CLASS BEFORE. THE TEACHER WAS ALL LIKE ”please, never compare yourself to people you see in magazines. They’re always altered. It’s as easy as that.” I ALMOST STOOD UP AND YELLED ”AMEN, MISS. AMEN.”
you go france.
The Walters provides an excellent overview of the significance of skeletal masks to the Mexica, which I have included below.
Throughout Mesoamerica, the wearing of masks was central to the performance of religious rituals and reenactments of myths and history. The face is the center of identity, and by changing one’s face, a person can transcend the bounds of self, social expectations, and even earthly limitations. In this transformed state, the human becomes the god, supernatural being or mythic hero portrayed.
Masks of skeletal heads, whether human or animal, are relatively common, for death played a central role in Mexica religion. Death was one of the twenty daysigns of the Mexican calendar, indicating its essential place in the natural cycle of the cosmos. Death also was directly connected to the concept of regeneration and resurrection, which was a basic principle in Aztec religious philosophy.
A key Mexica myth recounts the journey of Ehecatl, a wind god who was an aspect of Quetzalcóatl (“Feathered Serpent”), a powerful Mesoamerican deity. Ehecatl travels to Mictlán, the land of the dead, where he retrieves the bones of long-dead ancestors. He grinds their bones and mixes the powder with his blood, offered in sacrifice. With this potent mixture, the god formed the new race of humans who, according to Mexica cosmology, inhabit the present fifth age of Creation. Thus, death and rebirth are intimately connected in Aztec thought and religious practice.
The mask represents the concept of life generated from death with visages animated by lively eyes and painted skin. The mask was probably worn during rituals, covering the performer’s face or attached to an elaborate, full-head mask, and transforms the person into a new being that symbolizes the pan-Mesoamerican belief in life springing from death as a natural, and inevitable, process of the mystical universe. (Walters)
i hope this is readable omg
yea take this with a grain of salt because granted half the time i have no idea what im doing and yea
step by step explanation of this